No group connects reggae's rich and spiritual
heritage with today's music scene like Ziggy Marley and the Melody Makers.
Blessed both by heredity and by singular talent, the Melody Makers have
carried on their father's legacy by delivering stirring "roots"
music and a dizzying array of other styles on the eight acclaimed albums
they have released since the mid '80s. Along the way, they have sold million
of records, won two Grammy awards and played to countless devotees worldwide.
The
Marleys -- Ziggy, brother Stephen, sisters Cedella and Sharon and a loving
cast of other family members who are destined to step into the Marley spotlight
-- have been performing songs and stories in one way or another since they
were teenagers. They have often held to the original delivery style of
Jamaican patois but have also learned to echo the sights and sounds of
today's varied reggae and R & B scenes. The group experimented with
hip-hop on 1991's Jahmekya and a roots-driven sound on 1993's Joy
and Blues. On their new album, Fallen in Babylon, the Melody
Makers pick up the vintage sound on their last album, 1995's Free Like
We Want 2 B. Though there may appear to be a conscious progression, Ziggy
is quick to point out that they just do what comes naturally. "Each
album is something new," Ziggy says, simply. "We don't look back
and we don't think about it that much. The music evolves by itself."
The Melody Makers produced the album themselves
at the rebuilt Marley Music Studio, which as Tuff Gong Studio was the site
of Bob Marley's historic sessions. The band took the extraordinary of reconstructing
the legendary studio themselves prior to recording Free Like We Want
2 B in 1995. "There is such a great vibe there," says Marley,
"and so much history -- it was really like our home for so many years."
The album's crackling energy, inviting warmth and effortless grooves show
that the band continues to grow in the studio, comfortable in a setting
so rich with their own past.
Fallen Is Babylon captures the sounds,
textures and colors of Jamaica in voices resonant with heritage and a "Fallen
is Babylon is our message for the new millennium. It's very timely.
For people who have spiritual knowledge, we feel it's a wise album."
The group's keen political awareness is evident
right away. Full of biblical imagery, the title track is a cautionary tale
about the suffering caused by straying from the spiritual path to a path
of oppression and conquest. "Everyone Wants To Be, "featuring
a rap by The Fugees' Wyclef, is a biting commentary on violence in America,
built on a loop of familiar western movie theme music. "In the U.S.,
so many people have this attitude of wanting to be 'bad'. Everyone plays
this gangsta character," Ziggy says. "The kids think that if
you don't act tough, you're nothing. No one wants to be spiritual, which
is the only way to become truly strong. So we did this song for all the
youth." And "Diamond City" is about the plight of poverty-
stricken Sierra Leone and Zaire.
Ziggy's social and political sensibility is
neatly countered by brother Stephen's simpler approach. On "Postman,"
"Notice" and "Five Days A year." all written by Stephen
and the traditional "lone Winter," which he sings, Stephen brings
out some soulful Marley heartache to group's love songs.
One of the most striking aspects of the melody
makers' music is it's unflagging optimism. Even when the lyrics speak of
oppression and anger, there
is
joy in their voices and a certainty that things will get better. Ebullient
songs like "Born To Be Lively," "Jah Bless," "Brotherly
Sisterly Love," "Day By Day" and the group's cover of Curtis
Mayfield's classic "People Get Ready" radiate a positively that
is utterly infectious. Indeed, "People Get Ready," the first
single, is such a natural fit for the band that it sounds like they could
have written it themselves. The song has been covered many times, but the
Marleys' version is surely among the definitive. "We have great respect
for Curtis Mayfield, personally and musically," Ziggy says. "Our
father quoted 'People Get Ready' on 'One Love,' so we feel many connections
with it. We relate to it. It's a part of us."
Perhaps no other songs on the album better
encapsulate their uplifting attitude than the faith-in-strength anthems
"Day By Day " and "Jah Bless." 'Life is full of ups
and downs/No matter how hard it seems/Never forget your dreams/just take
it day by day," sings Ziggy on "Day By Day." And in a voice
full of hope on "Jah Bless,: Stephen sings, "Hey stumbling block
move out the way/We're gonna make it through the day." "That
strength comes from faith in the almighty," Ziggy asserts. "No
matter what happens, keep yourself up. When people listen to our song,
they can understand that even though life is hard, they can still feel
good about themselves spiritually."
The spirit that permeates Fallen Is Babylon
is a regular part of their daily lives, whether it is at home, on the soccer
field (one of their favorite hobbies), or on the stage. "It's there
for all of us," says Ziggy. "That is where our inspiration comes
from in the first place. And everyone has something they can get out of
it."
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